White convertible

The windscreen corner of a white convertible in a Rockstar press still: a chrome A-pillar with two sun visors hanging behind it, and below them a tattooed forearm reaching to the wheel and a hand holding a paper cup.

The crop is the windscreen corner of the car, seen from the side and close up. A bright chrome A-pillar runs down through it from the top, with black grained trim and a second chrome strip beside it, and a pale pane fills the top right. Behind the pillar hang two dark brown sun visors, one above the other, and lower down a dark frame stands against the sky. Beyond the car are clouds, a tower block at the left edge, a Ferris wheel over a line of trees and, further down, a long red sea wall. Until 26 September 2026 this page called the chrome a vent-window divider and a door surround, and said it filled most of the crop; the pillar and the visors fill the upper half, and the lower half is the cabin.

A tattooed forearm comes in from the left edge and reaches across to the steering wheel, where its hand grips the rim beside the pillar; the thin black rim curves down through the bottom of the crop. At the top left another hand, with small tattoos on its fingers, holds a white paper cup with a yellow panel and a red and yellow script mark. The cup runs out of the crop at the left edge and the fingers cover the rest of the mark, so the brand stays unread. Behind the arm is a dark brown dashboard and, below it, a black panel with a woven grid. Until 26 September this page had the tattooed forearm resting along the door with the cup in its hand, the rest of the mark turning away round the cup, and a tan interior; what the crop shows of the cabin is dark brown and black.

What the crop leaves out, the frame shows: Jason at the wheel with a cup in his hand and Lucia leaning on the door beside him, a skyline behind them. Until 26 September this page described a basketweave seat, a beach and a pier from outside its own crop, and put Lucia at the wheel. Whether the car is white all over or two-tone is not something a windscreen frame can say, and the page does not say it.

How to recognise it

• Chrome A-pillar and windscreen frame with black grained trim
• Two dark brown sun visors behind the pillar
• A thin black steering wheel rim and a dark brown dashboard
• A black panel with a woven grid below the dashboard
• A Ferris wheel, a tower block and a red sea wall beyond

The frame it comes from

The frame is a still from the official Press pack, which carries no timecode. It is 3840 by 2160, and the vehicle occupies 998 by 1987 of it. Also in it: Jason Duval and Lucia Caminos.

How this was measured

These figures come from the dataset, not from the prose above. We measure everything and claim what counts. How we work

What we still do not know

• The car. The crop is a windscreen corner; the body shape is not in it.
• The name, and the manufacturer
• What the paper cup advertises; the start of the mark is outside the crop and the rest is under the fingers
• Everything measured: top speed, acceleration, handling, price, where it spawns